The tricky part indeed is the morning after when the dancer wakes up to find himself the mortal being with weak knees.
I like the notion of giving the idea of genius back to its supernatural source only because having it reside in the artist is quite a burden for the latter. Especially the morning after.
Because come to think of it, the artist already has a lot to worry about mastering the craft -- especially for moments when "divine inspiration" takes the day off, leaving the artist to earn a living.
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