Choice quotes 02/05/2010
 
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Some choice passages from Eudora Welty's autobiography of her childhood and the beginnings of her life as a writer (Cambridge, MA: Harvard University Press, 1984):

"Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it's an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole." (14)

"...I stumbled into making pictures with a camera. Frame, proportion, perspective, the values of light and shade, all are determined by the distance of the observing eye." (21)

"The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order, a timetable not necessarily--perhaps not possibly--chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation." (68-69)

"The frame through which I viewed the world changed too, with time. Greater than scene, I came to see, is situation. Greater than situation is implication. Greater than all of these is a single, entire human being, who will never be confined in any frame." (90)

"Travel itself is part of some longer continuity." (97)

"It is our inward journey that leads us through time--forward or back, seldom in a straight line, most often spiraling. Each of us is moving, changing, with respect to others. As we discover, we remember; remembering, we discover; and most intensely do we experience this when our separate journeys converge. Our living experience at those meeting points is one of the charged dramatic fields of fiction." (102)

"Of course the greatest confluence of all is that which makes up the human memory--the individual human memory. My own is the treasure most dearly regarded by me, in my life and in my work as a writer. Here time, also, is subject to confluence. The memory is a living thing--it too is in transit. But during its moment, all that is remembered joins, and lives--the old and the young, the past and the present, the living and the dead." (104)

"As you have seen, I am a writer who came of a sheltered life. A sheltered life can be a daring life as well. For all serious daring starts from within." (104)
 
Chicken dance 11/01/2009
 
What you can do with new media. One funny example is Burger King's Subservient Chicken. It's kind of stupid, really, but funny nevertheless. Here's the link. Have a LOL!

But the more serious stuff you can make with new media is something like what Judd Morrissey, collaborating with Lori Talley, did with The Jew's Daughter.
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Page from The Jew's Daughter
By playing around with the hyperlinking tool, Morrissey and Talley presents an "interactive, nonlinear, multivalent narrative, a storyspace" contained within a page that subtly changes as the reader passes the cursor over the highlighted words. The change is subtle readers think they are still reading the same page of text. But then they soon notice the changes from their peripheral vision, and realize they are reading a different text that carries echoes of the previous pages.

Morrissey and Talley play around with 225 pages of text, one similar and yet different from the others, and they play around with the narrative form their new format creates.

Because of their innovative work, The Jew's Daughter is now taught in Literature, Creative Writing, and experimental programming classes in various universities.